lunes, 12 de enero de 2015


MATERIALS


Basically built with bricks, concrete, stone, glass and natural wood.

The exterior finish gives the concrete view of the structure and rustic red brick materials are combined with unpainted wood and glass. Inside are metal beams in the concrete facade

  In the interior finishes of the same materials with brightly painted walls, vaulted brick ceilings and floors unpolished overlap. Already in the 1920s, Le Corbusier had understood that changes color spaces, stimulates physiological reactions and has a strong effect on our sensibility, concept applied in the halls of these houses where colors provide outstanding visual variables.

The covers are filled with earth and grass to reduce thermal expansion.

CEILINGS


Shallow concrete vaults contrasted with a frame of thin bricks laid without using a centering system These bricks are extended as permanent molds for thin concrete vaults above them Fastened with transverse steel beams, concrete vaults resting on continuous beams extending along the floor, these beams in turn transfer the weight to load brick walls surrounding the houses The same system was used in the two constructs


A house govern both the same measures of space with dimensions of Modulor, two longitudinal bays of different widths, 3.66 and 2.26 meters set by load-bearing walls of bricks and covered by vaults that start at a height of 2, 26 meters from the lintel beams, therefore, the section of the bays is a golden rectangle and square respectively, the matrix of the houses.

STRUCTURE



The structural system is a combination of red brick and concrete dump "in situ", both exposed to the outside Concrete beams separating plants that run lengthwise structure to support the weight of the vaults, can be seen from the outside becoming a new construction detail

DESCRIPTION

Their size gives them a striking sculptural presence and unusual materials used in its exterior, cast concrete, unpainted rustic brick give a deliberately rough appearance. The industrial, exposed brick walls, which highlight the windows of different sizes are traversed horizontally by bands of concrete.

The houses "A" and "B" were designed to be built separately, sharing a lot of 1000 square meters and joining the basement, where parking spaces are located, also share a concrete terrace located in the garden and a system centralized heating. They are an expression of style "brutalist" and are based on the principle of Modulor, Le Corbusier theory on human scale.

The facades of the house "A" onto the street and hide the house "B", with its different orientation. Both houses of about 250 square meters each were designed so that the two families could live comfortably in the three plants each


The buildings are carefully placed on the ground, forming right angles to each other, with strategic setbacks from all property lines, except on the south side where one of the houses adjacent to the wall of an adjacent building. The result of this placement is a sequence of spaces increasingly private outdoor The timing of the trees as well as for the windows of the houses location provides privacy between the two houses and hidden from the adjacent buildings.

BRUTALISM

The Maisons Jaoul were designed in 1951 and built between 1954 and 1956, in the middle stage of Le Corbusier brutalist. In this same period pertein all buildings Le Corbusier designed for the Hindu city of Chandigarh and the convent of Sainte Marie de La Tourette, which were built during the 50s and 60s.
The brutalist stage of Le Corbusier (or '' béton brut '', as he defined it), which was the last of the Swiss architect, began after the end of World War II and was characterized by the use of reinforced concrete without paint or decorate.
 (The building of the secretariat of Chandigarh, example of brutalist architecture)
At this stage, Le Corbusier changed several elements that had been key to its previous architecture, among which were the use of white to paint the facades of buildings (at this time he left the gray concrete is exposed) and strict each of the five points for a new architecture compliance (the Maison Jaoul violate the first of these principles)


SOURCES ON MAISON JAUOL

"Classic Home 063", by ArchitectureWeek, ArchitectureWeek No. 289, 2006.0531, pH1.
Geoffrey H. Baker. Le Corbusier: An Analysis of form. Hong Kong: Van Nostrand Reinhold, 1989.
Michael Graves. Le Corbusier, Selected Drawings. London: Academy Editions, 1981. NA 2707.L4 A4 1981. site plan, p133. second floor plan, p134. elevation, p134. section, p144. section, p136.
Dennis Sharp. Twentieth Century Architecture: a Visual History. New York: Facts on File, 1990. ISBN 0-8160-2438-3. NA680.S517. exterior photo, p205. 


Kevin Matthews. The Great Buildings Collection on CD-ROM. Artifice, 2001. ISBN 0-9667098-4-5.

CURIOSITY

Maisons Jaoul Commentary
"A narrow walkway slopes up from the street to entrances off a shared patio. The buildings are carefully positioned at right angles to one another on the site, with strategic setbacks from all the property lines, except to the south. There, unit A abuts the wall of an adjacent building. The result is a sequence of increasingly private outdoor spaces."



  • ArchitectureWeek No. 289, pH1

 LOCALITATION

 This modern building is placed in  Neuilly-sur-Seine (Paris, France). To add, we can say also the street adrees, it's in  “La rue the long champ”.



domingo, 11 de enero de 2015

"You employ stone, wood and concrete

The use of colours and curve forms




Assemble Palace of Chandigarh





Unité d'habitation, Marseille





Couvent de la Tourette, Èveux

In the 1920s, Le Corbusier understands that color changes spaces, stimulate physiological reactions and have a hard effect on our sensibility.


The color in Maison Jaoul
Archivo:Maison Jaoule 21.jpg










Influences

· Antonio Gaudí: Le Corbusier is influenced by the study of the vaults and materials used by the spanish architect

Vaults of the schools of the Sacred Family in Barcelona


"El Capricho", Comillas




Calvet House


Sacred Family cathedral in Barcelona

·Mediterranean architecture





·Auguste Perret






Ponthieu Garage, Paris










Organigrama




DISTRIBUTION

A House 
  • Ground floor: hall, toilet, kitchen with dining area, living room, library
  • First floor: four bedrooms, one bathroom, three toilets, a balcony
  • Second floor: living room studio, one bedroom, a toilet surrounded by terraces
B House
  • Ground floor: hall, toilet, kitchen with dining area, living room, library
  • First floor: hall, toilet, three bedrooms, bathroom, two toilets, balcony
  • Second floor: two bedrooms, 2 bathrooms surrounded by terraces
Both seem to house its volume, but have variations in the program since they are oriented differently so that the opening of holes in the walls accuse the difference also distinguishes his position alone or attached to the adjacent houses, but keep share the same building system.
On the lower floors of both houses stand out as elements not only functional but decorative sculptural volumes about the stairs and the chimney. Chimneys with a deep niche for fire and smooth walls and sloping oblique chimneys reminiscent of characteristics of households in Eastern Europe.
The rooms are divided by walls that enclose them not allowing a fluidity of movement that the austere exterior conceals. The light shines abundantly many windows and openings, especially on the soles of the bedrooms, creating subtle nuances

The kitchens, narrow and long evoke the train of wagons, like the curved shape of their roofs.

THE CREW


"Architecture is the masterly, correct and magnificient play...


"Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician." 


"I prefer drawing to talking. Drawing is faster....

Maisons Jaoul

Built for André Jaoul and his son Michel, the first design was made in 1937, redesigned in 1951 by Le Corbusier and rebuilt during 1954-1956 becoming one of his most important constructions of the postwar breaking with all series of white villas designed in 1920.

The Jaoul Maisons had been protected by the french government as historic monuments since 1966.

Located in the Longchamp 81 street in Neuilly-sur-Seine, Paris, its surprising size gives them a kind of monumental presence also because of the materials used, brik and concrete, without painting.


Le Modulor

Le Corbusier explicitly used the golden ratio in his Modulor system for the scale of architectural proportion. He saw this system as a continuation of the long tradition of Vitruvius, Leonardo da Vinci's "Vitruvian Man", the work of Leon Battista Alberti, and others who used the proportions of the human body to improve the appearance and function of architecture. In addition to the golden ratio, Le Corbusier based the system on human measurements, Fibonacci numbers, and the double unit.


The Five Points of a New Architecture

During his career Le Corbusier developed a set of architectural principles that dictated his technique, called "the Five Points of a New Architecture" which were most evident in his Villa Savoye. These were:
Pilotis – The replacement of supporting walls by a grid of reinforced concrete columns that bears the load of the structure is the basis of the new aesthetic.
The free designing of the ground plan – The absence of supporting walls means that the house is unrestrained in its internal usage.
The free design of façade – By separating the exterior of the building from its structural function the façade becomes free.
The horizontal window – The façade can be cut along its entire length to allow rooms to be lit equally.

Roof gardens – The flat roof can be utilized for a domestic purpose while also providing essential protection to the concrete roof.

Ville Savoye:

Le Corbusier biography.

The swiss-french architect, designer, painter, urban planner and writer was born in La Chaux-de-Fonds (October 6, 1887) becoming one of the most important persons of the profession starring with Walter Gropius the Architectonic Renascence of the XX century designing buildings all over the world for 5 decades.

Young Jeanneret was attracted to the visual arts and studied at the La-Chaux-de-Fonds Art School under Charles L'Eplattenier, who had studied in Budapest and Paris. His architecture teacher in the Art School was the architect René Chapallaz, who had a large influence on Le Corbusier's earliest house designs.

Later on he started traveling around Europe, time in which he found inspiration on some of the most important architects of the time. Stands out his visit to the Charterhouse of the Valley of Ema, which really made a mark on his architectural philosophy conception for the rest of his life. He believed that all people should have the opportunity to live as beautifully and peacefully as the monks he witnessed in the sanctuaries at the charterhouse.


During World War I, Le Corbusier taught at his old school in La-Chaux-de-Fonds, not returning to Paris until the war was over. During these four years in Switzerland, he worked on theoretical architectural studies using modern techniques. Among these was his project for the Dom-Ino House (1914–15). This model proposed an open floor plan consisting of concrete slabs supported by a minimal number of thin reinforced concrete columns around the edges, with a stairway providing access to each level on one side of the floor plan.


In 1918, Jeanneret met the Cubist painter Amédée Ozenfant, in whom he recognised a kindred spirit. Ozenfant encouraged him to paint, and the two began a period of collaboration. Rejecting Cubism as irrational and "romantic", the pair jointly published their manifesto, Après le cubisme and established a new artistic movement, Purism. Ozenfant and Le Jeanneret established the Purist journal L'Esprit nouveau, in which he started to use the pseudonym “Le Corbusier” (an altered form of his maternal grandfather's name, Lecorbésier) reflecting his belief that anyone could reinvent themselves.



His theoretical studies soon advanced into several different single-family house models. Among these was the Maison "Citrohan", a pun on the name of the French Citroën automaker, for the modern industrial methods and materials Le Corbusier advocated using for the house.


Le Corbusier had a short relationship with the Soviet Union, starting with his first trip to Moscow in 1928, and ending with the rejection of his proposal for the Palace of the Soviets in the 1931-1933 architectural contest, which consisted in a project to construct an administrative center and a congress hall in Moscow, Russia, near the Kremlin, on the site of the demolished Cathedral of Christ the Savior. In the end the contest was won by Boris Iofan's neoclassical concept.

Le Corbusier project:


Wining project:


However, construction was never resumed. In 1958, the foundations of the Palace were converted into what would become the world's largest open-air swimming pool, the Moskva Pool


The Cathedral was rebuilt in 1995–2000.


For a number of years, French officials had been unsuccessful in dealing with the squalor of the growing Parisian slums, and Le Corbusier sought efficient ways to house large numbers of people in response to the urban housing crisis. He believed that his new, modern architectural forms would provide an organizational solution that would raise the quality of life for the lower classes.

Not merely content with designs for a few housing blocks, Le Corbusier soon moved into studies for entire cities. In 1922 he presented his scheme for a "Contemporary City" for three million inhabitants (Ville Contemporaine).



In the 1930s, Le Corbusier expanded and reformulated his ideas on urbanism, eventually publishing them in La Ville radieuse (The Radiant City) in 1935. Perhaps the most significant difference between the Contemporary City and the Radiant City is that the latter abandoned the class-based stratification of the former; housing was now assigned according to family size, not economic position.

Against his doctor's orders, on August 27, 1965, Le Corbusier went for a swim in the Mediterranean Sea at Roquebrune-Cap-Martin, France. His body was found by bathers and he was pronounced dead at 11 a.m. It was assumed that he may have suffered a heart attack. His funeral took place in the courtyard of the Louvre Palace on September 1, 1965, under the direction of writer and thinker André Malraux, who was at the time France's Minister of Culture. He was buried alongside his wife in the grave he had designated at Roquebrune.







Maisons Jaoul

Here is DafukDesigns reviewing one unique and revolutionary house. Or should we say “maisons” instead?. In 1951Charles-Édouard Jeanneret better known as Le Corbusier redesigned the Maisons Jaoul, breaking up with the whole series of white villas.

So what are we waiting for? lets go, thats ARCHITECTURE in capital letters.